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Carlo has more than 40 years experience as philanthropist, executive, board member and community leader. As Executive Director of ACT Theatre, Carlo led the organization through a successful turnaround, fully activating a landmark building and generating a new hub of the creative community. As founder of Clear Pictures, IndieFlix, and Modern Productions, he made movies for global release and helped shape Seattle’s legendary music scene by producing the very first concerts at The Showbox. As a philanthropist and board member for many organizations, Carlo knows how to invest and how to advise. He’s a trusted confidant for many, and a visionary leader.

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Before launching Scandiuzzi Krebs, Josef served in strategic leadership roles at top arts and human services organizations for 18 years, including Actors Theatre of Louisville, ACT Theatre, Intiman Theatre, Seattle Youth Symphony Orchestra and Banchero Disability Partners. He’s served on seven boards, led political activism, and taught fundraising communications theory as a guest at the University of Washington and the University of Iowa School of Journalism and Mass Communications.

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Ariel Glassman

Ariel Glassman has lived and breathed fundraising, nonprofit management, and performing arts production for 17 years. She has helped more than 70 nonprofits craft innovative donor engagement programs and raise more for their missions, including cultural leaders like On the Boards, KEXP, Feminist Frequency, SIFF, TeenTix and Facing Homelessness. Ariel has advised or co-produced many artists across theater, dance, film and music in Seattle, including Ahamefule J. Oluo, Sarah Rudinoff, Ella Mahler, Paul Budraitis, Erin Pike, Kyle Loven, Quinton Morris, and Catherine Cabeen. She loves to teach and has taught workshops for educational, nonprofit and arts-oriented service organizations across the state, including UW, AFP, the Seattle Foundation, 501 Commons, ArtsFund and Artist Trust.

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Lily Raabe

Lily is a community-engaged artist and creative business consultant who combines storytelling, social justice, and bold fundraising strategies. Raabe holds her M.A. from New York University and her B.A. from University of Portland. Beyond her own artistic work, she has over 16 years experience as a Teaching Artist and over 6 years experience as a theatre manager having worked with companies including: Intiman Theatre, Opening Act, The New Group, Oregon Children’s Theatre, Theatre Askew, and NW Children’s Children’s Theatre. She is co-founder of The New Alchemists, producing work in Seattle, WA and Hilo, HI.  As a creative business consultant Raabe works with individuals, agencies, and nonprofits via grant writing, marketing, strategy, and grassroots development campaigns to help them reach their goals. Current clients include: SuttonBeresCuller, Annex Theatre, The Common Acre, Sawhorse Revolution, Alleycat Acres, and Ezra Dickinson.

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Jennifer has over eight years experience working at the intersection of the arts and social justice. She has held previous positions at Path with Art, WonderRoot, Pace/MacGill, the Atlanta History Museum, and the Seattle Office for Civil Rights. She has a deep background in program design and management, training and facilitation, educational curriculum development, grant writing, and racial justice organizing. Jennifer holds a MA in Culture and Difference from Durham University (England) and a MA in Art History and Modern History from the University of St Andrews (Scotland). She believes deeply in the transformative power of the arts to move us both individually and collectively towards a state of spiritual health.

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Lamar is a theatre artist with companies across the US, Mexico, and Europe. He has over a decade of experience in Arts Administration, working with Broadway Bound, ENACT, The Chicago Shakespeare Theater, A Crew of Patches Theater, Abrams Arts Center, and is currently a board member at Intiman. He is a teaching artist, writer, performer, director, and grant writer believing in fueling storytelling with humanity and the power of physical theatre/movement. His collaborations include Steppenwolf Theatre Company, Teatro Franco Parenti, Teatro Patologico, The Prague Quadrennial, The Metropolitan Opera House, Book-It Repertory Theatre, Seattle Children’s Theatre, Seattle Shakespeare Company, Strawberry Theatre Workshop, and ArtsWest.

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Anne is a research and data enthusiast with more than a decade of experience in nonprofit program management. Having worked for organizations like Planned Parenthood, the College Success Foundation, the Northwest African American Museum, and The Museum of Flight, she understands what it’s like being on the front lines of organizations both large and small, and is committed to serving the nonprofit sector with altruistic enthusiasm. A researcher by nature, Anne loves the thrill of the informational hunt and connecting the dots between data and people. She is a two-time graduate of the University of Washington, having earned a B.A. in History and Public Health and an M.A. in Museology.

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Megan Ahiers

Megan has been working in theater leadership for 10 years as the Operations Director of The 14/48 Projects, a not-for-profit theater event company. The 14/48 Projects produces theater in Washington, Texas and England and just won the people’s choice award for Theatre of the Year in Seattle. A graduate of the theatre program at The University of Puget Sound, Megan is also a member of the Sandbox Artists Collective. In Seattle, Megan has worked with dozens of theaters in multiple capacities but most enjoys bringing artists together in collaboration.

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Shannon Loys

Shannon has been designing for Seattle arts organizations for 12 years. She is Seattle’s premier theatre graphic designer, having designed branding and collateral for Seattle Repertory Theatre, Book-It Repertory Theatre, ArtsWest, Cornish College of the Arts, Teatro ZinZanni, and Intiman, among others. She also designs for Seattle Youth Symphony Orchestra and recently helped transition them to their exciting new rebrand. Shannon excels at translating ideas into powerful visual messaging.